Rudolf Němec (1946) is an artist for whom the use of new expressive means and technologies (such as spray guns and stencils) is a fundamental characteristic of his work. Since the beginning of his career, his primary focus has been the human figure, whose silhouettes he creates against the backdrop of optical impressions from city streets and interiors. Through sophisticated spatial arrangements and the doubling of stencils, he achieves a masterful illusion of movement on the canvas.